In 1992 Al Stewart and his then-guitar accompanist Peter White recorded a live acoustic CD called Rhymes in Rooms. On the disc, Stewart and White performed eleven songs including “Year of the Cat” and “Time Passages”, which were top ten hits in the late 1970s.
Fast forward to 2009: Much to the delight of their fans (and those who might be about to become fans) Al and his current touring guitarist, Dave Nachmanoff, have just released their own unique collection of live acoustic songs that richly draw from Stewart’s vast breadth of work, called Uncorked (a nod to both wine – Stewart is a wine expert - and being “unplugged”).
The first thing I noticed upon reading the track listing is that it’s a set of music longtime fans can truly enjoy. The live versions of these songs consist of material originally recorded from 1967 (“Bedsitter Images”) through 1988 (“Last Days of the Century”). There’s also a rarity thrown in for good measure (“Coldest Winter”). No hits or anything that came close to a hit appears on the disc. And I’m more than good with that.
Lyrically, Uncorked plays to Al Stewart’s strengths. Intelligently written, historically based songs such as “Palace of Versailles”, “Warren Harding” and “Old Admirals” are solid choices. I remember them as examples of songs that sent me scurrying to the library to learn what they were about, in days well before the internet reduced exponentially the time required to do such a thing.
As for the music side of things, Stewart’s voice may have a few more rough edges compared to the “smooth as glass” sound from twenty years ago, but he’s still easy to listen to. Nachmanoff’s nifty guitar work sails through the set adding texture as though he’s been playing Al's songs his entire life. Well, actually that's because he has.
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He handled parts that were once done with a piano decades ago (“The News from Spain”) with his acoustic guitar and didn’t miss a step. On other songs, I wondered how he could get his instrument to make such varied and unique notes (“Midas Shadow”).
Recorded at three different venues during a Northeastern U.S. tour in 2008, the production is clear and crisp, as good as or better than being there in person.
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One of the pleasures of experiencing an Al Stewart/Dave Nachmanoff concert is the witty repartee in between songs. There’s a sampling of that on this disc called “Auctioning Dave”. Having heard a large number of Al’s stories over the years (many of them several times, in fact), I did enjoy the quirkiness of this segment but also wondered whether there may have been another choice that would connect with the listener to a greater degree. (Although there just might be a hidden dialogue track at the end of the last song on the disk, wink wink).
Ultimately, Uncorked is a solid and timely effort both in terms of Al Stewart’s long career and as a showcase of Dave Nachmanoff’s talent as a guitarist. The disc is well worth owning whether you’re an Al Stewart completist or someone who wants a good representation of what it’s like to be in the audience at an Al Stewart/Dave Nachmanoff concert.
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